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Yol (Yilmaz Guney-1982)

Yol (Yilmaz Guney-1982)

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Genre: Dram | Lang: Turkish | Sub: English, Spanish | 1982

Yol (Turkish for "The Road" or "The Way") is a 1982 Turkish film. The screenplay was written by Yılmaz Güney, and it was directed by his assistant Şerif Gören, who strictly followed Güney's instructions, as Güney was in prison at the time. Later, when Güney escaped from prison, he took the negatives of the film and edited it in Switzerland.[citation needed] The film is a portrait of Turkey in the aftermath of the 1980 Turkish coup d'état: its people and its authorities are shown via the stories of five prisoners given a week's home leave. The film has caused much controversy in Turkey, and was banned until 1999 due to Yılmaz Güney's involvement rather than its content.

Yol tells the story of several prisoners on leave in Turkey. Seyit Ali (Tarık Akan) travels to his house and finds that his wife (Şerif Sezer) has betrayed him and went on prostitution. She was caught by her family and held captive for Seyit Ali to honor-kill her. Although seeming determined at first, he changes his mind when his wife start to freeze while traveling in the snow. In spite of all the efforts to keep her alive, he eventually fails. The wife's death relieves Seyit Ali from pressure from his family, and he is saved from justice since she freezes but he has an internal struggle and has to return to jail. Mehmet Salih (Halil Ergün) has been arrested after trying to pull off a heist with his brother-in-law, whom he abandoned as he was being shot by the police. His in-laws want nothing to do with him, and he is finally forced to tell his wife Emine (Meral Orhonsay) the truth. Emine and Mehmet Salih decide to run away and get on a train. On the train they get caught in the train's toilet while having their long-awaited sexual intercourse. They are saved from the angry mob by the train's officers and held in a cabin before being handed over to officials. There, a young boy from Emine's family who has boarded the train shoots both Mehmet Salih and Emine. Ömer (Necmettin Çobanoğlu) returns to his village. The village, being a border village, has a struggle with the army due to smuggling goings-on. Ömer makes visits and arrangements to cross to border and to not return to jail. Although Ömer was clearly determined, he gives up his plan because his brother has been shot dead while smuggling. Ömer has, by his brother's death, inherited the responsibilities of his brother's wife and children as dictated by tradition.

Each prisoner in the film has some conflict which threatens their freedom, with tradition beside their conflicts with law which has imprisoned them.

Awards and nominations

* 1982 Cannes Film Festival, won FIPRESCI Prize[1]

* 1982 Cannes Film Festival, won Palme d'Or[1]
* 1982 Cannes Film Festival, won Prize of the Ecumenical Jury[1]
* 1983 César Awards, nominated for César
* 1983 French Syndicate of Cinema Critics, won Critics Award
* 1983 Golden Globes, nominated for Golden Globe for Best Foreign Film
* 1984 London Critics Circle Film Awards, won ALFS Award

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